【推薦】大學(xué)英語(yǔ)作文匯總十篇
在我們平凡的日常里，大家最不陌生的就是作文了吧，作文可分為小學(xué)作文、中學(xué)作文、大學(xué)作文（論文）。你知道作文怎樣寫才規(guī)范嗎？下面是小編為大家收集的大學(xué)英語(yǔ)作文10篇，供大家參考借鑒，希望可以幫助到有需要的朋友。
大學(xué)英語(yǔ)作文 篇1
作文一直可以說(shuō)是英語(yǔ)四級(jí)考試的`重難點(diǎn)，也是讓考生最頭疼的內(nèi)容，作文除了需要我們有一定的詞匯積累，也需要我們不間斷的練習(xí)和總結(jié)，練習(xí)多了才能熟能生巧，才能下筆成章，下面為大家整理了大學(xué)英語(yǔ)四級(jí)作文范文，供廣大考生參考使用。
題目要求：
Opening Psychological Courses
1. 許多人建議大學(xué)開設(shè)心理課程
2. 我對(duì)這一問(wèn)題的看法
參考范文：
Sample:
Recently more and more educator and common citizens suggest that universities colleges open more courses which are helpful for students' psychological health. Personally, I fully agree with their proposal for the following reasons.
On the one hand, the ever-increasing pressure of study at the moment and job-hunting in the future may lead to many psychological problems such as anxiety, depression and even despair, and the psychological courses open a door for communication and relaxation. On the other hand, such courses can teach students how to regulate feelings and emotions under different situations, which is a good preparation for the future life in the complex social network. Finally, these courses also introduce good habits which are conducive to mental and psychological health. To be mature and qualified citizens in the society, students have to do more than study hard.
In a word, I warmly welcome the establishment of psychological courses in universities. In my mind, they are good for students' psychological development.
大學(xué)英語(yǔ)作文 篇2
Why It Is Difficult ron College Students to Find Jobs?(大學(xué)生求職為何難?)
1．描述現(xiàn)狀；
2．分析原因；
3．給出辦法。
[寫作導(dǎo)航]先陳述現(xiàn)實(shí)，即雖然從理論上講不應(yīng)如此，但大學(xué)生找工作確實(shí)很難；第二段分析原因，一方面來(lái)自大學(xué)生自身，如有些人不能溶入社會(huì)，目標(biāo)過(guò)高等，另一方面是所學(xué)專業(yè)過(guò)窄，難以找到合適的`工作；第三段給出“我”的觀點(diǎn)：大學(xué)生應(yīng)了解自己的長(zhǎng)處和短處，不要太看重物質(zhì)利益，而是要著眼于長(zhǎng)遠(yuǎn)發(fā)展，另外還要注意繼續(xù)深造。
[范文]
More and more college students， in recent years， are finding it difficult to find jobs。 This may sound strange since college students used to be the "most favored" people in society。 They have received a higher education， hence they are more intelligent， knowledgeable than their counterparts who failed to attend college。 But chances are that some of themcan hardly find jobs after graduating from colleges。
There are two reasons that account for this strange phenomenon。 One is that some college students cannot come to terms with themselves and with the world around them。 They pursue too high goals and are too particular about such factors as working conditions， salary， and so on。 Therefore， they are reluctant to accept the job when they are offered to them。 Another reason is that the majors some students pursue do not match with the demands of the job market。 As a result， they canonly sit and miss opportunities。
To solve this problem， I think college students should know their own strengths and weaknesses and have the right attitude towards themselves and the job vacancies。 In addition， they should not attach too much importance to material aspects of the job。 They
should put priority to their future development and their contributions to society in stead。 Furthermore， they should think of receiving some further training to meet the demands of society。
大學(xué)英語(yǔ)作文 篇3
Looking around, you will find interesting difference between people’s pace of life. Some are always in a hurry and try toget everything done as soon as possible, while some other people always take their time and lead their life in a slow pace. What do you think is better? Inmy opinion, different life paces reflect various life concepts and both type shave advantages and disadvantages.
環(huán)顧四周，你會(huì)發(fā)現(xiàn)人們的生活節(jié)奏之間存在著一些有趣的差異。有些人總是匆匆忙忙并設(shè)法用最短的時(shí)間完成所有的事情，而另一些人總是慢悠悠地生活。哪種生活比較好呢？在我看來(lái)，生活節(jié)奏的差異只是反映了不同的生活理念，而每一種生活節(jié)奏都有其優(yōu)點(diǎn)和缺點(diǎn)。
One the one hand, people living a fast pacelife are easier to get success. The people who are got used to in a hurry allthe time will have more time to do the things that they want. And most of the mare active. They have more opportunity to enjoy the happiness of success.However, they also lose something when they are hurry to pursue success. They forget to stop to enjoy life itself or treasure the beautiful scenery in theirlife. As a result, those people always have lots of success, but lack of love.
一方面，生活在快節(jié)奏的人更容易取得成功。那些習(xí)慣了總是匆匆忙忙的人會(huì)有更多的時(shí)間做他們想做的事。而且他們大部分都是很積極的。他們有更多的機(jī)會(huì)享受到成功的喜悅。然而，在他們急于追求成功的同時(shí)，他們也失去了一些東西。他們忘了停下來(lái)享受生活本身或珍惜他們生命中美麗的風(fēng)景。結(jié)果，那一類人總是獲得很多的成功，卻缺乏愛。
On the other hand, people who living a slow pace always can enjoy their life and be happy. The slow coaches always are more tolerant to themselves and others. They would have less stress for themselves,which may bring better mental and physical health. If they don’t push themselves to finish task, they will have more time to enjoy the beautiful scenery around their life and taste life. But, this kind of people will have less chance to be successful, because they don’t put their mind on it.
另一方面，那些生活節(jié)奏緩慢的人們總是可以享受生活并且很快樂。性子慢總是對(duì)自己和別人都比較寬容。他們會(huì)給自己更少的壓力，這可能會(huì)會(huì)讓他們的身心都更健康。如果他們不強(qiáng)迫自己完成的`任務(wù)，他們將有更多的時(shí)間去欣賞周圍美麗的景色、品味人生。但是，這種類型的人成功的機(jī)會(huì)比較小，因?yàn)樗麄儾话研乃挤旁谀巧厦妗?/p>
To sum up, the pace of life just is people’schoice. It is their life concept. There is nothing good or bad. But as for me,I may prefer a slower pace of life. It is just personal hobby.
總之，生活的節(jié)奏是人們自己的選擇。是他們的生活理念。沒有什么好與不好的。對(duì)我來(lái)說(shuō)，我比較喜歡慢節(jié)奏的生活。這純粹個(gè)人愛好。
大學(xué)英語(yǔ)作文 篇4
more and more college students, in recent years, are finding it difficult to find jobs. this may sound strange since college students used to be the "most favored" people in society. they have received a higher education, hence they are more intelligent, knowledgeable than their counterparts who failed to attend college. but chances are that some of them can hardly find jobs after graduating from colleges.
there are two reasons that account for this strange phenomenon. one is that some college students cannot come to terms with themselves and with the world around them. they pursue too high goals and are too particular about such factors as working conditions, salary, and so on. therefore, they are reluctant to accept the job when they are offered to them. another reason is that the majors some students pursue do not match with the demands of the job market. as a result, they canonly sit and miss opportunities.to solve this problem, i think college students should know their own strengths and weaknesses and have the right attitude towards themselves and the job vacancies. in addition, they should not attach too much importance to material aspects of the job. they
should put priority to their future development and their contributions to society in stead. furthermore, they should think of receiving some further training to meet the demands of society.
大學(xué)英語(yǔ)作文 篇5
Balzac once said, "difficulties, for the weak, are a great abyss, but a fortune to the strong." Yes, if a man succumbs to fate and gives in to difficulties, he can only be a weak man.
I can't help but think of a small thing. It was one day during the summer vacation. My Cousins and I went to climb the prince's mountain. At first, I was very motivated and I had a great time, but I was so tired that I didn't get halfway through the journey. Seeing the endless steep slope, the heart beat back. My cousin, as he struggled to climb, asked me; "Why, no? "Alas! It's killing me." "What's in it? The red army is not afraid of the journey. I think: my cousin can be "a thousand mountains and only a leisure", why can I not "the five mountains in the wind and the small waves, the dark clouds"? A bite of the teeth, courage, courage, a drum to climb up, although big sweat dc, but I finally climbed to the top of the mountain, the beautiful scenery. In retrospect, it is not clear that if we have the will and the courage to overcome difficulties, we will succeed.
"The will is tenacious, the mountains can move." This is true. You see, aunt haidi, who has two thirds of the body paraplegic, is struggling in this small world of wheelchairs. To be successful, you have to pay more than the normal people. What a difficulty! Yet she did not bow to fate, to yield to difficulties. Not only did she not get too deep into the river, she didn't make progress, but she also made rapid progress. She taught herself the course of middle school and worked hard on foreign languages, creating and translating more than 1 million words. Is the amazing aunt haidi not relying on strong will, struggling, step by step on the success of the high mountains?
Friend, when you are in trouble, please use this sentence of comrade Lenin to encourage yourself. "A revolutionary should not allow fear to conquer himself, and we must exercise our will whenever and wherever we want."
大學(xué)英語(yǔ)作文 篇6
recreations are an important part of people＇s life. for eample, after hours of attentive study, students will feel like having a football game to rela their nerves. workers may find it very satisfying to sit in front of a tv set for an hour or two when they come back from a day＇s tiring work. besides, recreations serve as a pleasant way for the retired people to pass their job-free time. everywhere you go, you will find that during their spare time, people are engaged in recreational activities of sue kind or another.
generally speaking, there are two kinds of recreations: physical activities and intellectual activities. physical activities keep one fit and develop team spirit. basketball is an eample. intellectual activities, such as playing chess and reading novels, can train one＇s brain and provide temporary escape from one＇s trouhles.
in my opinion, there should be a balance between the two forms of activities. this is because physical activities are necessary for good health while intellectual activities are beneficial to one＇s mind. there fore, in order to make his life enjoyable and colorful, one should go in for beth kinds of pastimes.
大學(xué)英語(yǔ)作文 篇7
表示措施
1）We should take some effective measures．
2）We should try our best to overcome（conquer）the difficulties．
3）We should do our utmost in doing sth．
4）We should solve the problems that we are confronted（faced）with．
例如：
The housing problem that we are confronted with is becoming more and more serious．Therefore，we must take some effective measures to solve it．
表示變化
1）Some changes have taken place in the past five years．
2）A great change will certainly be produced in the world’s communications．
3）The computer has brought about many changes in education．
例如：
Some changes have taken place in people’s diet in the past five years．The major reasons for these changes are not far to seek．Nowadays，more and more people are switching from grain to meat for protein，and from fruit and vegetable to milk for vitamins．
表示事實(shí)、現(xiàn)狀
1）We cannot ignore the fact that．．．
2）No one can deny the fact that．．．
3）There is no denying the fact that．．．
4）This is a phenomenon that many people are interested in．
5）However，that’s not the case．
例如：
We cannot ignore the fact that industrialization brings with it the problems of pollution．To solve these problems， we can start by educating the public about the hazards of pollution．The government on its part should also design stricter laws to promote a cleaner environment．
表示比較
1）Compared with A，B．．．
2）I prefer to read rather than watch TV．
3）There is a striking contrast between them．
例如：
Compared with cars，bicycles have several advantages besides being affordable．Firstly，they do not consume natural resources of petroleum．Secondly，they do not cause the pollution problem．Last but not least，they contribute to people’s health by giving them due physical exercise．
表示數(shù)量
1）It has increased（decreased）from．．．to．．．
2）The population in this city has now increased （decreased）to 800，000．
3）The output of July in this factory increased by 15％ compared with that of January．
例如：
With the improvement of the living standard，the proportion of people’s income spent on food has decreased while that spent on education has increased．
再如：
From the graph listed above，it can be seen that student use of computers has increased from an average of less than two hours per week in 1990 to 20 hours in 20xx．
大學(xué)英語(yǔ)作文 篇8
When Valentine’s Day comes, the couples like to share their sweet moments and post the pictures on the Internet. The young couples will do all kinds of romantic things to surprise each other, while the old generation’s relationship impresses me most.
情人節(jié)到來(lái)時(shí)，情侶們都喜歡在互聯(lián)網(wǎng)上發(fā)布照片、分享他們的甜蜜時(shí)刻。年輕情侶會(huì)做很多浪漫的事情來(lái)給彼此驚喜，而老一代的感情卻讓我印象最深刻。
In the romantic movie New York, I Love You, which was filmed by several short stories. There was a story about an old couple. They walked to the beach, while on the way, the woman complained about the man on many small issues, but the men barely argued. Finally, when they reached the destination, they suddenly hand in hand and appreciated the sunset. What a lovely story, it is so close to the real life, just like every couple’s final end.
浪漫電影《紐約，我愛你》，是由幾個(gè)短片拍攝而成的。其中一個(gè)故事，講述了一對(duì)老夫婦，在他們走向到沙灘的路上時(shí)，女人一直抱怨男人各種各樣的小問(wèn)題，男人卻很少說(shuō)話。最后，當(dāng)他們到達(dá)目的地時(shí)，他們突然手牽手，欣賞日落。這是多么可愛的`故事，是如此接近現(xiàn)實(shí)生活，就像每一對(duì)夫妻的最終結(jié)局。
Most young people chase for romantic moment, which makes them excited. But the nature of life is made up of small issues. When two people considerate about each other and find a way to deal with conflicts, their marriage can be lasted long. Surprise is the flavor in daily life, it makes sense when it happens in special days.
大多數(shù)年輕人追求浪漫的時(shí)刻，這使他們興奮。但是生活的本質(zhì)就是由很多小事組成。當(dāng)兩個(gè)人對(duì)彼此體貼，找到一種方法來(lái)處理沖突，他們的婚姻才可以持續(xù)很長(zhǎng)時(shí)間。驚喜是生活的調(diào)味品，只有當(dāng)特別的日子里驚喜才有意義。
大學(xué)英語(yǔ)作文 篇9
there was a bit of a fuss at tate britain the other day. a woman was hurrying through the large room that houses lights going on and off in a gallery, martin creeds turner prize-shortlisted installation in which, yes, lights go on and off in a gallery. suddenly the womans necklace broke and the beads spilled over the floor. as we bent down to pick them up, one man said: perhaps this is part of the installation. another replied: surely that would make it performance art rather than an installation. or a happening, said a third.
these are confusing times for britains growing audience for visual art. even one of creeds friends recently contacted a newspaper diarist to say that he had visited three galleries at which creeds work was on show but had not managed to find the artworks. if he cant find them, what chance have we got?
more and more of londons gallery space is devoted to installations. london is no longer a city, but a vast art puzzle. net to creeds flashing room is mike nelsons installation consisting of an illusionistic labyrinth that seems to lead to a dusty tate storeroom. its the security guards i feel sorry for, stuck in a fau back room fielding tricky questions about the aesthetic merits of conceptual art simulacra and helping people with low blood sugar find the way out.
every london postcode has its installation artist. in sw6 luca vitoni has created a small wooden bo with grass on the ceiling and blue sky on the floor. visitors can enhance the eperience with free yoga sessions. in w2 the serpentine gallery has commissioned doug aitken to redesign its space as a sequence of dark, carpeted rooms with dramatic filmed images of icy landscapes, waterfalls and bored subway passengers miraculously swinging like gymnasts around a cross-like arrangement of four video screens. the gallery used to be stables, you know. not to be outdone, in se1 tate modern has a wonderful installation by juan munoz.
at the launch of this years turner prize show, a disgruntled painter suggested that the ice cream van that parks outside the tate should have been shortlisted. this is a particularly stupid idea. where would we get our ice creams from then?
what we need is the answer to three simple questions. what is installation art? why has it become so ubiquitous? and why is it so bloody irritating?
first question first. what are installations? installations, answers the thames and hudson dictionary of art and artists with misplaced self-confidence, only eist as long as they are installed. thanks for that. this presumably means that if the ice cream van man took the handbrake off his installation van no1, it wouldnt be an installation any more.
the dictionary continues more promisingly: installations are multi-media, multi-dimensional and multi-form works which are created temporarily for a particular space or site either outdoors or indoors, in a museum or gallery.
as a first stab at a definition, this isnt bad. it rules out paintings, sculptures, frescoes and other intuitively non-installational artworks. it also says that anything can be an installation so long as it has art status conferred on it (your flashing bulb is not art because it hasnt got the nod from the gallery, so dont bother writing a funny letter to the paper suggesting it is). the important question is not what is art? but when is art?
the only problem is that this definition also leaves out some very good installations. consider richard wilsons 20:50. it consists of a lake of sump oil that uncannily reflects the ceiling of the gallery. spectators penetrate this lake by walking along an enclosed jetty whose waist-high walls hold the oil at bay. this 1987 work was originally set up in matts gallery in east london, through whose windows one could see a bleak post-industrial landscape while standing on the jetty. the installation, awash in old engine oil, could thus be taken as a comment on thatcherite destruction of manufacturing industries. then something very interesting happened. thatchers ad man charles saatchi put 20:50 in his windowless gallery in west london, depriving it of its contet. but the thames and hudson definition does not allow that this 20:50 is an installation because it wasnt created for that space. this is silly: it would be better to say there were two installations - the one at matts and the other at the saatchi gallery.
or think about damien hirsts in and out of love. in this 1991 installation, butterfly cocoons were attached to large white canvases. heat from radiators below the cocoons encouraged them to hatch and flourish briefly. in a separate room, butterflies were embalmed on brightly coloured canvases, their wings weighed down by paint. the spectator needed to move around to appreciate the full impact of the work. unlike looking at paintings or sculptures, you often need to move through or around installations.
what these two eamples suggest to me is that we are barking up the wrong tree by trying to define installations. installations do not all share a set of essential characteristics. some will demand audience participation, some will be site-specific, some conceptual gags involving only a light bulb.
installations, then, are a big, confusing family. which brings us to the second question. why are there so many of them around at the moment? there have been installations since marcel duchamp put a urinal in a new york gallery in 1917 and called it art. this was the most resonant gesture in 20th century art, discrediting notions of taste, skill and craftsmanship, and suggesting that everyone could be an artist. futurists, dadaists and surrealists all made installations. in the 1960s, conceptualists, minimalists and quite possibly maimalists did too. why so many installations now? after all, two of this years four turner prize candidates are installation artists.
american critic hal foster thinks he knows why installations are everywhere in modern art. he reckons that the key transformation in western art since the 1960s has been a shift from what he calls a vertical conception to a horizontal one. before then, painters were interested in painting, eploring their medium to its limits. they were vertical. artists are now less interested in pushing a form as far as it will go, and more in using their work as a terrain on which to evoke feelings or provoke reactions.
many artists and critics treat conditions like desire or disease as sites for art, writes foster. true, photography, painting or sculpture can do the same, but installations have proved most fruitful - perhaps because with installations the formalist weight of the past doesnt bear down so heavily and the artist can more easily eplore what concerns them.
why are installations so bloody irritating, then? perhaps because in the many cases when craftsmanship is removed, art seems like the emperors new clothes. perhaps also because artists are frequently so bound up with the intellectual ramifications of the history of art and the cataclysm of isms, that those who are not steeped in them dont care or understand. but, ultimately, because being irritating need not be a bad thing for a work of art since at least it compels engagement from the viewer.
but irritation isnt the whole story. i dont necessarily understand or like all installation art, but i was moved by double bind, juan munozs huge work at tate modern. a false mezzanine floor in the turbine hall is full of holes, some real, some trompe loeil and a pair of lifts chillingly lit and going up and down, heading nowhere. to get the full impact, and to go beyond mere illusionism, you need to go downstairs and look up through the holes. there are grey men living in rooms between the floorboards, installations within this installation. its creepy and beautiful and strange, but you need to make an effort to get something out of it.
the same is true for martin creeds lights going on and off, though i didnt find it very illuminating. my work, says martin creed, is about 50% what i make of it and 50% what people make of it. meanings are made in peoples heads - i cant control them.
its nice of creed to share the burden of significance. but sadly for him, few of the spectators were making much of his show last week. his room was often deserted, but the rooms housing isaac juliens boring films and richard billinghams dull videos were packed. maybe creeds aim is to drive people away from installation art, or maybe he is just not understood. whatever. the lights were on, and sometimes off, but nobody was home.
大學(xué)英語(yǔ)作文 篇10
Colorful college life Being in the college can be regarded as the best time of the life for the young. The campus life is enjoyable, precious, and alsocolorful. This is a time for a student to his or her ideas about life in general. Attending classes provide him or her precious knowledge, adding to his or her knowledge base.
Library is also a good place for students to study in where you can receive more information. Studying in college is a brand new start of our life. One can continue to study hard for the better scores.
In your spare time, you could play basketball, football and so on. Doing sports is very interesting and good for your health. If you want to show your talents and skills you can join in all kinds of activities.
In fact, you can do anything which you are interested in. Therefore, a student in college should fully use the time in college,making his or her life much more colorful.First of all, owing to the lack of connection with the society,we'd better have some activities to get into touch with the different society.
In a word, college life is enjoyable, precious and alsocolorful.
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