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柏拉圖與陸機(jī)的“靈感論”比較 - 畢業(yè)論文
摘 要
靈感作為文藝創(chuàng)作中1種心理現(xiàn)象，很早就為中西文藝?yán)碚摷宜P(guān)注并加以研究。靈感理論的發(fā)現(xiàn)與提出，對于文學(xué)創(chuàng)作，是大為有用的。本文將中國晉朝陸機(jī)的“靈感”論與西方著名文藝?yán)碚摷野乩瓐D的“靈感”論置于同1平臺(tái)進(jìn)行跨文化比較研究。論文首先對柏拉圖與陸機(jī)的“靈感”論進(jìn)行分別論述，然后在此基礎(chǔ)上分別找出他們的相同之處和不同之處。相同之處表現(xiàn)在2者都是文學(xué)創(chuàng)作語境中的1種客觀現(xiàn)象，并且具有相同的內(nèi)涵，即都是1種無意識(shí)的心里現(xiàn)象；不同之處表現(xiàn)在他們對靈感來源的解釋不1樣，柏拉圖認(rèn)為靈感是“神賜”的、不可知的，而陸機(jī)則從唯物的立場來探求“靈感”之源；2者靈感論的外延也不相同。雖然2者的靈感論都是作為文藝?yán)碚撎岢鰜淼�，但柏拉圖靈感論的外延要大得多。
關(guān)鍵詞：柏拉圖；陸機(jī)；靈感論；比較
ABSTRACT
Inspiration as a psychological phenomenon of literary and artistic creation was concerned and studied for the China and the West theorist at a long time ago. The discovery and propose of inspiration theory for the literary creations are much useful. This article put the Chinese JinChao LuJi`s "inspiration" with western renowned literary arts theoretician Plato`s " inspiration" on the same platform for cross-cultural comparative studies. First, the article Exposited Plato and LuJi`s "inspiration" theory respectively, and then on that basis to identify the points of convergence and divergence between them. The same point performances are in the literary creations speaking context an objective phenomenon, and have the same connotation that is a violation of the psychological phenomena; The differences in their theory was that their explain of the sources of inspiration are different, Plato believes that inspiration "from God alone", unknown, but LuJi from the position to explore materialism "inspiration" sources; The two inspirations` outreach are difference. Although both inspiration theory are presented as a literary and art theory, but the theory of Plato inspiration to be more extensive.
Key words: Plato; LuJi; inspiration; Compare
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