從女性主義批評(píng)視角看莎士比亞悲劇中的婦女形象 - 畢業(yè)論文

摘   要

莎士比亞的作品所構(gòu)造的是1個(gè)典型的男性中心社會(huì)，大男子主義的表現(xiàn)可以在無(wú)數(shù)劇作中有關(guān)婦女的言論中發(fā)現(xiàn)。莎士比亞的男性身份使他不可避免地誤解、歪曲女性人物，與當(dāng)時(shí)父權(quán)社會(huì)對(duì)婦女的態(tài)度相1致。在莎士比亞的悲劇中對(duì)婦女形象的塑造有失真實(shí)，要么是脆弱者，要么是淫蕩者，要么是雄性化的女人形象。女性的地位1直處于不穩(wěn)定的邊緣，在莎劇中，女性不是1個(gè)完全獨(dú)立的人，不僅在政治上、經(jīng)濟(jì)上而且在精神上給予女性以無(wú)情的批判。女人在文本中的出現(xiàn)更多的是為了詮釋男人，女人是男人的附屬物，并受生育的拖累，且大多數(shù)人都甘愿附屬于男人。同樣女性話語(yǔ)沒(méi)有1套合法的屬于自己的話語(yǔ)體系，莎士比亞1會(huì)把女性抬為天使，1會(huì)又降為惡魔。戲劇沒(méi)有對(duì)女性完整且正確地描述，有的只是男性的意愿塑造。

關(guān)鍵詞：女性主義批評(píng)；悲劇；女人；男人；父權(quán)制

ABSTRACT

Shakespeares work structure is a typical masculine central society. The big male principle performance may be discovered in the innumerable dramatic works about the concerned womans opinions. Shakespeares masculine status causes him inevitably to misunderstand and twist the feminine character, the manner was consistent with the male society to the woman at that time. Molds in Shakespeares tragedy to the female figure has lost reality, either is the frailty, either is the lasciviousness, either is the male gender woman image. The feminine status continuously is in the unstable edge, in the Shakespeare’s plays, the female is not a completely independent person, not only in politics, in economy, but also gives the female in the spirit by the heartless critique. Women who appear more in the text account for the annotation man. The woman is mans accessory which implicates women gives birth for men and the majority of people are willing to attach to the man. At the same time feminine words setting legitimate has not belonged to its own words system. Shakespeare either lifts the female for the angel, or reduces it to the devil. The plays don’t describes the female completely and correctly, some are the masculine’ wish mold.

Key words: Feminine principle criticism; Tragedy; Woman; Man; The system of male authority