畢業(yè)論文：符號(hào)的狂歡—論電影藝術(shù)的符號(hào)功能和特性 - 語(yǔ)言文學(xué)畢業(yè)論文

摘  要：在符號(hào)創(chuàng)造的漫長(zhǎng)歷史中，人類至少成就了兩類有著相似關(guān)系和結(jié)構(gòu)，但本質(zhì)又全然不同的符號(hào)體系：1類是文字語(yǔ)言符號(hào)，而另1類則是藝術(shù)語(yǔ)言符號(hào)。這兩者是無(wú)法替代的。本文試圖以電影藝術(shù)語(yǔ)言符號(hào)為切入點(diǎn)，展現(xiàn)在當(dāng)今社會(huì)上正在進(jìn)行的1幕符號(hào)的狂歡。

關(guān)鍵字： 符號(hào)   蒙太奇   影像   光影   音樂

Abstract: Whether mankind create long history of symbol form two have similar relation and structure gradually in us their essence entirely different symbolism. One kind is a characters language symbol, but another kind is artistic symbols . The two cant be substituted. This text attempts to regard symbol of art of film as the breakthrough point, represent the revelry of the symbol afoot in the current society of a scene.

Key words: Symbol   montage   image   mere shadow   music