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畢業(yè)論文：從《詩經(jīng)》到李商隱看古代愛情詩的流變—女性形象分析比較 - 語言文學(xué)畢業(yè)論文
摘 要：《詩經(jīng)國風(fēng)》中的女性大多是現(xiàn)實(shí)生活中的女性，她們真實(shí)自然，可以說基本上不具含什么象喻性，即使后世的說詩人可以據(jù)之以美刺諷喻之說也只是后加的1種比附，而并非其所寫之女性形象之本身所具含的特質(zhì)。南朝宮體愛情詩的女性，則大多為男子目光中所見之女性，大多是被物化的女性，很少有主觀感情之投入，詩中的女性只成為1些美麗的被物化了的形象而已。李商隱愛情詩所敘寫的女性是他愛情生活際遇中的女性，敘寫時以比興 、用典的手法使女性神化。
關(guān)鍵詞：詩經(jīng) 南朝宮體愛情詩 李商隱 女性 真實(shí)自然 物化 神化
Abstract: Most of women of China are women in actual life, they are true naturally , it we can say basically what explaining not alikes there is,even can say later age by poet according to last saying every one adding after being only too than enclosing with thorn not American, women itself house of image written it have speciality that include. Women of the love poem of the palace in the Southern Dynasties, are mostly women of the finding in mans sight , women of materialization , have subjective input of emotion seldom mostly, Women of poem become some a beautiful one image of materialization only. Li Shangying love poem women written to chat he love women, life of fortune, in order to deify more than revitalizing , tactics maid with the allusion quatation while chatting and writing.
Key words: The Book of Songs
The love poem of the palace in the Southern Dynasties
Li Shangying Women True naturally Materialization Deify
【畢業(yè)論文：從《詩經(jīng)》到李商隱看古代愛情詩的流變—女性形象分析比較 - 語】相關(guān)文章：
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