威尼斯商人英語(yǔ)讀后感
One of Shakespeares most powerful and controversial plays finally comes to the screen in Michael Radfords splendid adaptation of The Merchant of Venice. Briskly paced and passionately alive, Radfords compelling and handsomely filmed version of the Bards tragicomic play features a superlative cast headed by Oscar winners Al Pacino and Jeremy Irons. They, along with Joseph Fiennes and luminously gifted newcomer Lynn Collins, command the screen in The Merchant of Venice, which marks the first time the director of Il Postino has ever tackled Shakespeare. And while his traditional approach to the play may lack the cinematic dazzle of Baz Luhrmanns contemporary spin on Romeo + Juliet, theres nothing static or overly stagy about Radfords The Merchant of Venice.
Filmed on location, The Merchant of Venice transports you back to the 16th century, when the citys vilified Jewish community was ghettoized. Shunned, even spat upon by the Venetian nobles and merchants, the Jewish moneylender Shylock (Pacino) has built a sizable fortune through usury. Although the merchant Antonio (Irons) despises Shylock, he nonetheless goes to him on behalf of his debt-ridden friend Bassanio (Fiennes)。 To woo the beautiful and fabulously rich Portia (Collins)， Bassanio needs money. Since Antonio is momentarily low on funds, he borrows it from Shylock. But if Antonio fails to repay the loan by a set date, Shylock will take payment in the form of a pound of flesh from Antonios chest.
Over Bassanios objections, Antonio accepts Shylocks offer. Meanwhile, as Bassanio sets sail for Portias island home, Shylocks world begins to crumble. His beloved daughter Jessica (Zuleika Robinson) renounces her faith to run away with Bassanios friend Lorenzo (Charlie Cox)。 And she takes a large chunk of Shylocks money with her. Feeling betrayed and abandoned, Shylock focuses all his hurt and anger on Antonio, his longtime foe. When Antonio cannot pay the loan on time, Shylock therefore ignores entreaties to be merciful. It appears only a miracle can save the merchant, who is bound by law to honor the grisly terms of Shylocks loan.
Aside from a 1973 film starring Laurence Olivier, filmmakers have shied away from this daunting mix of pathos and comedy, which has also been criticized as anti-Semitic. And on a cursory level, the character of Shylock does indeed conform to a Jewish stereotype. Yet he is ultimately a far more sympathetic and complex figure, whose actions are understandable, given the persecution he endures. Shylock may seem ruthless, greedy and vengeful, but hes also tragic—a proud man trying to assert himself in the face of blatant prejudice. In one of Shakespeares most famous speeches, Shylock turns on his oppressors and asks at one point, “If you prick us, do we not bleed?” Its a mesmerizing, intensely felt plea for respect that Pacino performs brilliantly, his voice a mixture of hurt and pent-up rage.
Speaking of Pacino, he admirably resists the urge to go his usual histrionic route in The Merchant of Venice. In recent years, hes degenerated into something of a self-parody—a loud ham who seemed intent on screaming his way through a movie. Thankfully, the Shakespeare devotee (Looking for Richard) appears to have rediscovered subtlety and nuance in acting. Hes forceful and magnetic without being showy. www.xzhufu.com Like Roy Cohn, whom Pacino plays superbly in Angels in America, Shylock is a bravura role that could easily be played as a villain, but as he did with Cohn, Pacino manages to find traces of vulnerability in this angry, deeply wounded man.
Although Irons and Fiennes (Shakespeare in Love) are both excellent, its Collins who makes the biggest splash opposite Pacino. Looking like she stepped out of a Renaissance painting, this prodigiously talented American actress has a musical voice and intelligence similar to Cate Blanchett. Shes immensely charming and spirited in the comic scenes at her island home, where a parade of would-be suitors tries to win her hand (and fortune)。 She also doesnt shrink from going head-to-head with Pacino in the courtroom scene that brings The Merchant of Venice to its gripping climax.
Beautifully shot by Benoit Delhomme, The Merchant of Venice is the best film version of a Shakespearean play since Julie Taymors Titus.
威尼斯商人英語(yǔ)讀后感
The Merchant of Venice "Book
Used to see Shakespeares tragedy,I occasionally change stomach,to appreciate what he has written comedy,but also quite tasty.Last week,I read books written by Shakespeares "The Merchant of Venice" and I feel that the value of friendship.Hero Antonio Basaniao young people between the nobility and the sincere friendship,to face the test of life and death,their friendship appears to be more selfless."The Merchant of Venice" and other Shakespeare plays,the performance of his lifes love,and longing for youth.I think this script interesting twists and turns of the plot,filled with a very strong comedy,but also reflects the life of Shakespeare himself optimistic,cheerful character.There is a play not only hateful but also peoples sympathy for the characters,he called Shylock is a Jew,the loan-sharking.He inexcusable insatiable,but he is also a subject of discrimination against Jews.He plays on behalf of oppressed Jews,said the passage has been memorable to me:"Jews do not have eyes,no limbs,facial features,there is no perception,no feelings,no blood?He is not eating the same food,can be subject to the same weapon injury ,Also needs medical treatment,will find the winter cold,summer heat will feel,with the same Christian?"He was a suffering nation to issue unfairness of the call.I prefer that Baoxi Ya.Her elegant noble,sentimental tenderness,a high degree of intelligence,wit the courage to plunge into the decisive action of their own actions prove that poor women than men.The writing was a businessman living in Venice,where the true story of the human family and friendship than anything else,this book was written out of our friend deal with the right attitude.Can not think of Shakespeares comedy writing is so interesting.
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